44 percent: Alligator Alcatraz, EssenceFest, Haiti hotel and more
The pages of Essence Magazine are etched in my brain — from the cover stories and columns to the ads and the photos. There was the AIDS/HIV issue which featured Rae Lewis-Thornton talking about her diagnosis (she shares her story again with updates in the latest issue of the magazine). And we can’t forget the iconic photo with some of our Hollywood divas such as Halle Berry, Loretta Devine, Vivica Fox and many more.
For little Black girls growing up, you aspired to write for the beloved Black mag or be featured in it. And of course, you couldn’t wait for the day that you would one day go to Essence Music Festival, as it was once called, a three-day affair focused on “a party with a purpose” that celebrated Black women and featured musical acts during the Fourth of July weekend in New Orleans.
So, it was disheartening to read the complaints about this past weekend’s affair being disorganized. Performing acts (at least three) have complained that the mismanagement of sets led to technical problems and delays. And some attendees complained that EssenceFest (as it is now called) isn’t what it used to be.
I’m hoping leadership behind the festival actually heeds comments from those who went and received what they considered was a subpar experience and be open to suggestions for next year’s festival.
INSIDE THE 305:
As the jokes fly, Alligator Alcatraz evokes racist trope of ‘gator bait’
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As jokes about alligators eating immigrant detainees made the rounds, I wrote about the racist history behind “gator bait,” a racist practice that actually existed where Black children were used as literal bait for alligators during slavery and Jim Crow.
The mocking of immigrant detainees harks back to “the worst parts of our history” when similar jokes and tropes, such as “gator bait,” were used to dehumanize Black people and desensitize people to the harm and violence inflicted upon them, says ACLU Florida Executive Director Bacardi Jackson.
Bending the Bars: Hip-hop album showcases the talent at Broward County jails
Julius Smith is hogging the phones at the Taylor Correctional Institute in Perry, northern Florida. He dials the same number on both phones, making sure he’s able to hear clearly on both lines, WLRN reporter Carlton Gillespie reported.
Smith, who goes by Prince Jooveh, is one of the fifteen incarcerated artists who appear on the new album Bending the Bars. The hip-hop album features sixteen tracks from different artists, most of whom are from Broward County jails.
OUTSIDE THE 305:
Gangs burn down Haiti’s iconic Hotel Oloffson, host to stars and writers
Haiti’s storied Hotel Oloffson, a favorite haunt of writers and artists that survived dictatorship, coups and a devastating earthquake and was immortalized in novelist Graham Greene’s “The Comedians,” is no more, writes Haiti correspondent Jacqueline Charles.
Justice Ketanji Brown Jackson emerges as a leading dissenter in an era of Trump
Two trends have emerged at the Supreme Court in recent weeks: President Donald Trump is on a winning streak and Justice Ketanji Brown Jackson, the court’s junior-most justice, is having none of it, CNN reported.
That dynamic was on full display yet again Tuesday as the court handed down a significant – if temporary – decision allowing the White House to move forward with plans to dramatically reduce the size of the federal government. Jackson penned a solo dissent and the justice, who recently took up boxing as a way to relieve stress off the bench, pulled no punches.
HIGH CULTURE:
Temple University course explores Kendrick Lamar’s life
Kendrick Lamar’s life, cultural impact and music will be the subject of a new course at Temple University this fall, WHYY reported. The course, “Kendrick Lamar and the Morale of M.A.A.D City,” will examine Lamar’s life through an Afrocentric lens.
