Melissa McCarthy is a two-man woman when it comes to her career. With writer/director Paul Feig, she’s found some of her greatest success (Bridesmaids, The Heat, Spy). Then there’s her husband, Ben Falcone, a fellow alum of the Groundlings Comedy theater, with whom she co-wrote, and he directed Tammy, and now The Boss.
While the Feig films are more tightly and traditionally structured, with a high joke density, the Falcone films have proven to be loose and profoundly weird, with room to indulge in strange bits and riffs. That’s not necessarily a bad thing if you’re in the tank for McCarthy’s specific brand of character-driven physical humor.
Sign Up and Save
Get six months of free digital access to the Miami Herald
In The Boss, McCarthy plays Michelle Darnelle, a cold-blooded, no-holds-barred wheeler and dealer and the “47th wealthiest woman in America.” Michelle has a penchant for high turtlenecks, flowing tunics and dirty-mouthed smack talk honed in the halls of Wall Street.
She gets popped for insider trading by her lover-turned-nemesis Ron/Renault (Peter Dinklage), and after her time in the clink, ends up on the couch of her former assistant, Claire (Kristen Bell). It’s there that she cooks up her new business venture — starting up a girls’ troop, the Darnelle Darlings, selling brownies and giving the girls a cut of the profits. Hijinks ensue.
The structure of The Boss doesn’t quite work, and the transitions between acts are wonky as all get out. But there are nuggets of hilarity to be found. One of the funniest moments comes before the opening titles, when Michelle raps her version of DJ Khaled’s All I Do Is Win (complete with T-Pain cameo) during a pyrotechnic-infused financial motivational speech. It’s absurd and perfect. Similarly, the troop vs. troop street fight is inappropriately funny and ridiculous. The way McCarthy articulates “Do-ri-to” like a foreign delicacy, or a riff in which she razzes Claire’s date night sweater are hilarious. While the film allows for these moments, those bits are just bits, and don’t necessarily fit into a larger whole.
There are some pseudo girl-power messages about taking a leadership role in the business world, going after your dreams and empowering young women through financial means. These ideas are interesting, especially when Michelle barges in on a boys country club lunch, but they’re only half-baked. Similarly, the concept of a convicted felon/business shark bringing her skills to a girls troop is a great one, but that idea is largely dropped in order to focus on the interpersonal relationships and Michelle’s rivalry with Ron.
As a film, The Boss isn’t so boss. But it’s an opportunity to watch a comedic performer at the top of her game revel boldly in her own confident weirdness. That’s not something you often get to see on the big screen.
Cast: Melissa McCarthy, Kristen Bell, Peter Dinklage, Tyler Labine, Ella Anderson.
Director: Ben Falcone.
Screenwriters: Melissa McCarthy, Ben Falcone.
A Universal Pictures release. Running time: 99 minutes. Vulgar language, sexual content, drug use. Playing at area theaters.