Pearl Cleage’s play “Flyin’ West,” an M Ensemble production currently on stage at the beautiful, new the Sandrell Rivers Theatre in Liberty City, is set in humble Nicodemus, Kansas, the only remaining western town established by African Americans during the reconstruction period after the Civil War.
Set in 1898, the play, directed by Jerry Maple, Jr., focuses on the lives of Sophie (Brandiss Seward) and Fannie (Candice Marie Singleton), sisters who have migrated from Memphis, a hotbed of racism, to the open plains and promise of self-determination in Kansas.
The stalwart, gun-toting Sophie envisions Nicodemus as a town where blacks can prosper and raise families, and she’s on a campaign to persuade her neighbors not to sell their land to white speculators. Fannie, who has struck up a romance with Wil (Chat Atkins) dreams of being a writer.
Trouble brews when Fannie’s youngest sister, Minnie (Rita Joe) shows up with her husband Frank (Seth Ian Crawford), a mixed-race man who passes for white. Frank and Sophie clash over his mistreatment of Minnie, his apparent disdain for blacks and his condescending attitude toward Nicodemus. The cast is rounded out by the stellar Carolyn Johnson, who plays Miss Leah, the play’s elderly matriarch who was born a slave and whose stories Fannie is eager to record in her book on the history of the people of Nicodemus.
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Originally published in the mid-1990s, “Flyin’ West” remains a testament to the largely forgotten black settlements that arose after the Civil War. It also highlights the intersectionality that has always existed in the United States behind the more monolithic depictions in American history. For example, Wil has arrived at Nicodemus after living with the Seminole Indians and working in Mexico. Still, the play’s greatest achievement is that it manages to underscore the tenacity and tenderness of the lives of African-American pioneer women without romanticizing them or ignoring their challenges.
Unfortunately, “Flyin’ West” is marred by a lack of direction and inconsistent acting. Some of the courtship scenes between Fannie and Wil, for example, are unnecessarily long. The play’s first act lasts an hour and a half, and the second act runs around 40 minutes, making it tedious and lopsided. At the end of both acts several moments feel final, which undercut the play’s true crescendo.
Crawford’s portrayal of Frank, the play’s foil, is uneven. His accent careens from unconvincing cockney to erratic southern drawl. His performance feels forced, especially in the more dramatic moments. In contrast, Seward powerfully portrays Sophie, embodying female independence and inventiveness. And Johnson’s Miss Leah steals the show. From her witty repartee to moving monologues, Johnson’s timing and cadence are spot on and do justice to “Flyin’ West” and its subject.
Softening some of the rougher edges is the handsome set, from Geordan Gottlieb, which is highlighted by the gorgeous, multi-colored lighting of Mitchell Ost -- both of which helps take us to a time and place neglected by history.
If You Go
What: "Flyin’ West" from M Ensemble
Where: The Sandrell Rivers Theatre at the Audrey M. Edmondson Transit Village, 6101 NW Seventh Ave., Miami
When: 8 p.m. Thursday through Saturday, 3 p.m. Sunday, through June 25.
Tickets: $25 general admission, $20 seniors and students. 305-284-8872; http://themensemble.com/.