EDITORIAL CONTRIBUTOR

Joe Cardona
Joe Cardona was born in San Juan, Puerto Rico, after his Cuban parents settled there in the 1960s. At age 4 he arrived on the sunny shores of Miami, which by South Florida standards makes him a native.
Reared on episodic television and album-oriented rock radio, Cardona always fancied himself a writer/director so he began working on indie projects fresh out of college — creatively and independently funding his work.
He has directed 16 feature-length documentaries, mostly dealing with issues of cultural identity and history. (Nou Bouke, Haiti's Past, Present and Future; Café con Leche; The Flight of Pedro Pan; Jose Marti: Legacy of Freedom; Havana: Portrait of Yesteryear; Honey Girl; White Elephant; Celia the Queen). Twelve of the documentaries have aired on PBS and throughout Europe and Latin America.
Cardona has also directed, produced and written two feature films (Water, Mud and Factories and Bro). Both received prestigious awards, such as the Flickapalooza Film Festival's "Best Screenplay" (2001) for Bro.
The documentary Celia the Queen (about the life of Cuban salsa singer Celia Cruz) premiered at the Tribeca Film Festival and attained national and international recognition and acclaim. His work as co-producer of the PBS music series Latin Music USA was featured domestically on the PBS network and internationally via the BBC.
In 1997, Cardona, along with partners Mario de Varona and Michelle Zubizarreta, founded Kids in Exile Films, an independent film company, which operated for 13 years. Seeking new creative and business horizons, Cardona then founded and still operates Royal Palm Films.
In 2011, Cardona garnered three regional Emmy nominations and won the award for the documentary on Haiti, Nou Bouke. The film, which was co-produced with The Miami Herald, was part of a newspaper series selected as a finalist for the Pulitzer Prize.
Cardona holds a bachelor's degree in mass communications from Florida International University.
Top Story
SAN CARLOS INSTITUTE
San Carlos Institute keeps hope alive for Cuban exiles
As a student at Florida International University in the late 1980’s, in search of my identity, I attended a seminar that examined important Cuban historical sites in the state of Florida. That afternoon, I had planned to raise my hand and address the audience about important nuggets of Cuban history I had unearthed in Tampa’s Ybor City. I should have known that like many “best laid plans of mice and men” these pre-orchestrated schemes don’t pan out.
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ECONOMY
Joe Cardona: Miami’s dwindling middle class
Amid the glitz and glam that is symbolic of Miami’s image (recently perpetuated by the televised shots of the millionaires’ row that usually occupies the Miami Heat’s lower bowl seats during meaningful games) lies the well-hidden, little publicized, hardscrabble economic reality of most Miamians.
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MIAMI
Miami’s yummy pizza memories
Every neighborhood has a favorite pizza joint. They are usually homey, “mom and pop” places like the one your dad took you to after a ball game or the one your family would visit on a Sunday eve to spare Mom of kitchen duty.
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MARIELA CASTRO
Mariela Castro, Cuba and human rights
In the wake of several Cuban dissidents’ enlightening visits to the United States — among them Yoani Sánchez, Rosa María Payá and Berta Soler — came last weekend’s arrival of Raúl Castro’s daughter, Mariela Castro, who attended (with special dispensation from the State Department) a ceremony in Philadelphia to collect, of all things, a human rights award. The brilliant American comic Carol Burnett once said, “Comedy is tragedy plus time.” This expertly sums up the Cuban political polemic. Observed, studied and lived over time, Cuban politics of the last half century remains a classic tragedy that has played out as farce over 54 years.
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JOSÉ PAÑEDA
Miami Heat broadcaster José Pañeda’s warm style
It’s generally not my style to slide into a place right before it shuts down but given the limitations of the 24-hour day and my 28-hour lifestyle, I had no choice and hurried into a Miami supermarket minutes before closing.
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HISPANICIZE
Hispanicize ignites Latino success nationwide
This week Miami Beach was swept up in Hispanicize, an intense, five-day Latino pow wow where ideas are explored, concepts analyzed and there’s been enough Latino synchronicity to electrify a continent.
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AMERICANA
Reared on rock ’n’ roll at Hollywood Sportatorium
Rock and roll music has shaped American identity for over half a century. The music and its derivative culture have influenced, motivated and riled up multiple generations of jean-clad, puka-shell wearing, long-haired Americans — including ethnically hyphenated ones like myself.
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LUNCH BREAK
Savoring every minute, starting with a real lunch
One of the most ironic axioms during the span of my life has been the notion that you don’t really value time until you’re running out of it.
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RADIO WAVES
Herb Levin: the Jewish godfather of Miami’s Cuban radio
Cuban radio has always been a political and cultural beacon within Miami’s exile community. Many of my childhood memories are tinged with the passionate sounds of my grandparents’ radio.
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CIGAR CAPITAL
Miami’s cigar allure
One of the distinct factors that distinguish Miami from other cities is its peculiar scents. Growing up, cigar smoke seemed to surround me.
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GEORGE SANCHEZ CALDERON
George Sanchez Calderon’s work: art, memories, Americana
Art Basel set up shop in Wynwood and provided Miamians a glimpse into the art world. But before “socially relevant” art was a prerequisite in an artist’s portfolio and before Cuban-American identity had any cachet, Miami-bred Cuban-American artist George Sanchez Calderon was creating art that spoke of and to his surroundings in the most provocative and profound way.



















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