CHAPTER TWO: THE FOUNDATION

An artist invites you to collaborate

BY ANA MENENDEZ
amenendez@herald.com

Watson Island used to be the place to go for fresh fish, and that's the picture I still have of it in my mind: a handful of weathered shacks animated by equally weathered fishermen, each assuring us that the other guy's fish were at least a day old.

It was the early '90s, I had just moved to South Beach and I was in love. Everything in those years was colored by the state I was in. I'd never had such tasty fish, seen such deep sunsets, wandered into such a marvelous place.

On Sunday afternoons, my love and I would drive to Watson Island to buy our fish. He'd worked on a fishing boat as a kid and loved to regale me with stories as we cruised the shacks. Once, he told me of how he'd been hastily scaling a customer's fish when his knife slipped and he cut his finger nearly to the bone. Without hesitating, he'd taken off his T-shirt, wrapped his bleeding finger and finished the job. The customer never even knew, he bragged, and I learned a little of all he was willing to conceal.

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Cortada's Installment

Xavier Cortada's original showing of his photos were displayed in the Miami Art Museum as one installment of an effort called "Miami in Transition." He took all of the readers' photos and hung them in the lobby of the Miami Herald building, which is on display from June 5-30, 2006.

ABOVE: A section of the wall in Miami Art Museum where hundreds of Cortada's aged polaroids hang.

LEFT: One of Cortada's snapshots of (place here) that reads underneath: "We'd stop here for watermelon and sodas on our way to the beach."