GRAPHIC NOVELS
Reviews | 'Grandville', 'The Year of Loving Dangerously' and 'The Escapists'
Funny animals? Ugh. Though Walt Kelly, Carl Barks and even Jack ''King'' Kirby embraced and elevated the genre, it mostly left me cold -- until now. Talbot's tightly plotted political thriller posits an alternate universe where France conquered England in the Napoleonic Wars, and the world is ruled by anthropomorphic animals, with a few hairless apes as servants and lackeys. Following his tour de force Alice in Sunderland, the grand master of British comics' recent projects have been a bit odd. Grandville is no exception, but this wildly heady blend of mystery, heroics, politics, religion and romance is more reminiscent of his classic Luther Arkwright series than anything he's done since. If you can get past -- or embrace -- his archetypical menagerie of well-drawn faux-bipeds, the story, with allegorical echoes of 9/11, is further evidence that Talbot blazes his own path and is always worth following.





