ENTERTAINMENT
Dancer soars after life on Haiti's streets
A performer who started out as an orphan dancing for pennies in Haiti is one of four South Floridians vying on a TV dance competition.
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The grand pillars and ornate interior of Baldwin Auditorium here on the oak-covered grounds of Duke University are a world away from Rosie Herrera's native Hialeah. And the polyglot group of earnest dancers assembled onstage for rehearsal this steamy Southern afternoon -- from Taiwan, Hong Kong, South Korea, Japan, Germany, Spain, Thailand, Russia, and the American heartland -- know nothing of the pulsing Latin clubs and drag queen extravaganzas that have shaped her as a performer and director.
A performer who started out as an orphan dancing for pennies in Haiti is one of four South Floridians vying on a TV dance competition.
The daughter of Quakers, growing up on an organic farm, Heather Maloney has heard talk of sustainability her whole life. Maybe that's why she's puzzled by the current vogue for going green. 'Sometimes when you're thinking about being a good citizen, you say, `Oh, I must recycle,' '' she says, her hands fluttering so gracefully to illustrate her point that she is almost dancing in her seat. ``It's not always about conservation though. It's a question of how much do you need?''
Things measured in one hundred: 100 degrees Celsius (the boiling point of water), 100 yards (the length of a football field minus the end zones). Centuries and centenarians. Colombian novelist Gabriel García Marquez chose to measure out his treatise on love, sex and loss as One Hundred Years of Solitude. And who can forget the feverishly dissected first hundred days of Barack Obama's presidency?
An hour before the curtain rises, the choreographer stands alone on stage, nervously gazing at the rows of empty seats. Heidi Latsky is about to unveil the boldest, most important performance of her life.
Tango Undressed, Ray Sullivan's ambitious evening-length examination of the tango for his Miami Contemporary Dance Company, tackles the formidable and fascinating idea of uncovering the personal and emotional dramas underlying this supremely sexy and dramatic dance form.
People make these jokes about running away and joining the circus. I didn't realize anyone actually followed through until one of my own family members did.
Arts Ballet Theatre of Florida presents its season finale on Saturday and May 3 in Broward and Miami-Dade counties. Led by veteran Russian-trained ballet master Vladimir Issaev, the company will perform one of the most famous works from Sergei Diaghilev's Ballets Russes, Michel Fokine's Le Spectre de la Rose, which shows a dreaming girl and a rose that leaps to life, staged for ABT by former Ballet Russes dancer George Zoritch.
Watching a performer over an extended period of time is akin to listening in on an intimate conversation. Choreographer and solo performer Ros Warby's conversation begins with two mentors and ends with a swan and a soldier. The latter shimmer and stomp in her award-winning solo piece Monumental, which makes its South Florida premiere Friday and Saturday at the Adrienne Arsht Center's Carnival Studio Theater.
You could feel every one of the Alvin Ailey American Dance Theater's 50 years on Thursday night, but not because all those decades and legacy weigh them down.
The troupe started like almost all modern-dance companies started back in the mid-20th century, with a tiny group of unpaid dancers gathered by a choreographer with a vision and no money. That kind of effort usually lasted one performance. That the choreographer, Alvin Ailey, was a black man who wanted to show black American life in all its full-fleshed humanity in 1958 -- when racism and segregation were rampant, the civil rights movement was radical, and images of black people outside...
Lorena Feijoo, prima ballerina of the San Francisco Ballet and once the star of the internationally celebrated Ballet Nacional de Cuba, has appeared on far more important stages than the one on which she danced in late March when she performed the lead in Carmen at Miami's Gusman Center for the Performing Arts.
In the face of an abysmal economy, Momentum Dance Company this week offers a sign-of-the-times performance with a humorous bent: Obamanomics takes on Fannie and Freddie Mac, golden parachutes, budget stretching and belt-tightening. Audience participation is encouraged.
Lorena Feijoo was born to be a dancer in Cuba, being the daughter of Lupe Calzadilla, a leading ballerina with the Cuban National Ballet.
A small group of current and former Miami City Ballet dancers will try out new ideas in new territory this Saturday. Seanik, headed by former MCB principal dancer Mikhail Nikitine and his wife Deanna Seay, a veteran lead dancer with MCB, hopes to bring together ideas and audiences from the dance, music and visual arts worlds.
With so much uncertainty these days, there is something reassuring about the order and beauty of ballet -- and the escape it provides. In Miami City Ballet's final program of the season, which opened Friday night at Fort Lauderdale's Broward Center for the Performing Arts, two Balanchine gems bookended the company premiere of an elusively romantic work by Jerome Robbins, each dance a consuming, tiny universe.
When Le Sacre du Printemps (The Rite of Spring) premiered in Paris in 1913, the audience was so unsettled by the ballet's rough, primitive-looking movement and its pounding, dissonant score -- choreographed by the consummate tortured artist Vaslav Nijinsky and composed by Igor Stravinsky -- a full-on riot erupted.
A celebration of the life of Miami artist Luciano Franchi de Alfaro III will be held from 5 to 8 p.m. Thursday at the Main Gallery of Miami International University of Art & Design, 1501 Biscayne Blvd., which also is showing a memorial retrospective of his works. Franchi had taught art history and design at the school.
Ballet Gamonet, the determined contemporary ballet troupe run by former Miami City Ballet choreographer Jimmy Gamonet De Los Heros, has suspended operations for the rest of the season.
Whatever else you might say about the Here & Now Festival, it's not boring. And this year's edition, which opened Thursday and runs through Saturday at the Adrienne Arsht Center for the Performing Arts, offers plenty for mind and eye to relish: dancing on air, soaking surrealism and tragically squashed birthday cakes.