Nothing is more important than family.
That’s what the stoic Hollywood fixer played by Liev Schreiber told his wife in the second season premiere of Ray Donovan. While it’s unclear whether his character believes his own words, Schreiber says that principle has shaped his career in recent years.
The actor has made it a priority to spend time with his two sons with longtime partner Naomi Watts — 6-year-old Sasha and 5-year-old Samuel. He set aside plans to direct again after 2005’s Everything Is Illuminated. He let others guide him into roles in theater and on screen.
“It’s amazing how insignificant everything else becomes,” Schreiber said of his fatherhood. “It sounds romantic. But the reality is that you go brain dead for 2 1/2, 3 years and slowly return to the world. … You kind of lose all ambition.
“That’s part of the thing about acting. It’s so easy to follow the career path that’s defined by the options presented to you,” he said. “Where with directing or producing or writing, there is a lot more self-motivation at play there.”
The 46-year-old New Yorker looked as if he had mostly emerged from that haze during a recent shoot on the set of Ray Donovan in a gated neighborhood in Calabasas, the hilly Los Angeles suburb where the Kardashians and many other celebrities live.
Schreiber was directing the episode, his first gig outside of commercials in nine years. “We’re good. We’re good. We’re good,” he announced over a wireless microphone to the production crew. There was a pause. One actor was missing. “Oh right, that’s me,” he said with a tight smile, hopping up swiftly to take his mark.
Schreiber says later he underestimated the difficulty of “pulling double duty” on the much-praised series, which weaves together stories of clergy sex abuse, unconventional family ties, violence, celebrity and Hollywood powerbrokers. The second season is airing at 9 p.m. Sundays on Showtime.
“In order to do it correctly, you have to watch playback after every take. I just hated stopping … to see my own performance,” he said. “The hard part is directing without vision, without being able to see.”
Schreiber and Watts have been splitting time between New York and Los Angeles to accommodate the shooting schedule. Schreiber yearns to return to New York full time.
“It’s really demanding even when I’m not directing,” he said. “I should be so lucky to have this opportunity, and to be leading a company like this is pretty special.” However, he said, “to be honest, I would like to go home. … If we don’t get picked up next year, is it a huge tragedy for me and my family? Absolutely not.”
Schreiber hasn’t had conversations with series creator Ann Biderman about his character’s long-term story arc and often gets scripts for episodes three days before shooting them.
“I live literally minute to minute. It is so hard to imagine doing it again and again for me,” he said. Still, he’s found time to star as Russian chess champion Boris Spassky opposite Tobey Maguire in Edward Zwick’s Pawn Sacrifice and has other potential projects in development.
Schreiber’s face lights up when he overhears a visitor to the set mention that she recently had a baby. “Have you been Ferberizing?” Schreiber asks excitedly, referring to a method of sleep training that he and Watts used for their sons. For a couple minutes, the set fades away. Schreiber is talking about his favorite role.