ASKING AUTHORS
Q & A | Lyah Beth LeFlore: African American mothers and daughters

Related Content
- Q & A | John Dufresne: Balancing fiction, autobiography
- Q & A | Doug Stanton: Drawing lessons from U.S. troops in Afghanistan
- Q & A | Gerald Martin: On Gabriel García Márquez
- Q & A | Joe Starita: Chief Standing Bear's journey for justice 130 years ago
- Q & A | Aryeh Rubin: Jewish sages of today
- Q & A | David Wolman: From old English to e-mail
- Q & A | Carolina De Robertis: Tribute to Uruguay
- Q & A | Zeida Cecilia-Mendez: On Fernando Bujones
- Q & A | Norman Podhoretz: Liberalism and Judaism
- Q & A | Peter Golenbock: On George Steinbrenner
- Q & A | Jeff Leen: A heroine of female wrestling
- Q & A | S.L. Price: A tragedy's impact on baseball
- Q & A | Benjamin Moser: On Clarice Lispector
- Q & A | Ralph Nader: Describing his vision for America -- and why he uses fiction to explain it
- Q & A | Melvin Van Peebles: Filmmaker writes a graphic novel
- Q & A | Gina Montaner: Women in literary life
- Q & A | Lars Schoultz: U.S. and the Cuban Revolution
- Q & A | Al Gore: The former vice president issues a call to action
- Q & A | Joan Biskupic's 'American Original': What's inarguable is that Scalia remains a source of curiosity
- Q & A | Roxanna Elden: Joys, perils of teaching
- Q & A | Sadia Shepard: On memoirs
- Q & A | Meg Cabot: Advice for girls
- Q & A | Ana Menendez: Writing novels
- Q & A | Jaime Bayly: A conservative antibourgeois
- Q & A | Liz Balmaseda: True life inspires fiction
- Q & A | Bob Graham: An owner's manual on government
- Q & A | Stuart E. Weisberg: On Rep. Barney Frank
- Q & A | Francine Prose: On Anne Frank
- Q & A | Joyce Purnick: On Michael Bloomberg
- Q & A | Andrés Neuman: A musical childhood in Argentina
- Q & A | Cecilia Rodríguez Milanés: Marielitos, balseros and other exiles
- Q & A | Tracy Kidder: A Burundian student's experience
- Q & A | Sid Jacobson: Lessons from Vlad the Impaler
- Q & A | Jack E. Davis: On Marjory Stoneman Douglas
- Q & A | Dennis Lehane: FIU is fertile ground for literary stylists
ABOUT THE FAIR
What: Miami Book Fair International 2009When: Nov. 8-15; Street Fair: Nov. 13-15Where: Miami Dade College, Wolfson Campus: 300 N.E. Second Avenue, MiamiCost: Nov. 13: free. Nov. 14-15: $8; people 62 and older: $5; ages 18 and under, free.Timetables: Hard copies of a schedule of events will be distributed at the fair entrance.More information: MiamiHerald.com; www.miamibookfair.com; 305-237-3258; 305-237-3314.Andrea Robinson, editor of The Miami Herald's Neighbors sections that appear in North-Central Miami-Dade and Northwest Miami-Dade, asked this of Lyah Beth LeFlore, the author of ``Wildflowers'' (Broadway Books, $13.99), a gripping tale about the strong black women in the Davis family that explores natural and spiritual bonds between mothers and daughters and the lengths they go to protect their name:
Q: Do you find that women are more protective of the family name more so than men, and is this an issue with African American families or families in general?
A: I think by instinct and makeup as women, we are naturally more protective of our families -- children, siblings, parents, even family traditions and secrets. We are the ``keepers'' and ``caretakers.''
I think from a historical perspective, when you go back to slavery, on up to the Civil rights movement, etc., black women especially have had to be the glue in our families.
When our men were being stripped down emotionally, physically, psychologically, we had to muster the strength to help pull them through -- all while keeping our families together.
So bringing it back to my novel ``Wildflowers'', in writing the book and creating the eight women who make up the Davis clan, I really wanted to explore the special connection women, particularly African American mothers and daughters, have and how we are protective of each other in trying times.
Since the novel focuses on secrets within families, you do find each of the Davis women initially very concerned about protecting the family image to outsiders, particularly Chloe who is ``running away'' from an abusive, short-lived marriage. She is more concerned with what others will think at first.
However, as the Davis women weather the storms in their lives and the bonds of family are tested, their deep love and spirituality is what pulls them through.
Q. Do the spiritual teachings of great-grandmothers and grandmothers that worked well in previous generations have the same effect with modern-day women? What examples did you find in researching this novel?
A. I think that when you come from a family where traditions and teachings have been kept alive and passed down, you naturally go back to ``that'' place, particularly in times of need or trouble. That place being the tidbits and life lessons you remember hearing from your grandmother or great grandmother, or that your mother has kept alive.
I believe that's still the case with so many women today. I hear so many of my girlfriends talk about what their grandmother said they should do about ``this'' or ``that.'' I didn't have to go far to do research for this novel at all.
I grew up in a family where the female chromosome ruled, and the women are very close in my family. We love men, but everyone, cousins, aunts, for the most part kept having girl babies.
I remember sometimes feeling sorry for my dad having to tolerate all that estrogen. Actually, the original title for the book was ``The House Of Estrogen.'' In my family the women kept the stories and traditions alive, from home remedies to lessons on the power of prayer. I think because of this influence, it was very important for me to surround myself with great ``sistafriends.''
Listening to the experiences and life journey's of my aunts, female cousins, biological sisters, my sorority sisters, and my girlfriends in general, all gave me insight into creating the wonderful, multilayered Davis women in ``Wildflowers.'' The importance of a character like Chloe Michaels is that she is 35 and is exactly that modern-day woman who, in troubled times, clings to the spiritual teachings passed down in her family through the generations. Chloe has a fabulous career and fast-paced lifestyle, and is making more money than her mother or aunts or grandmothers could've ever dreamed of.
That's so true for so many women today in my generation. We have access to excess. However, Chloe shows us that having a strong, grounded, spiritual foundation is ``priceless'' and that possessing a million pairs of Manolos could never replace the love of family and the importance of faith.
3:30 p.m. Saturday, Room 7106-7107. With Trisha Thomas, author of ``Nappily in Bloom.''
Join the discussion
The Miami Herald is pleased to provide this opportunity to share information, experiences and observations about what's in the news. Some of the comments may be reprinted elsewhere in the site or in the newspaper. We encourage lively, open debate on the issues of the day, and ask that you refrain from profanity, hate speech, personal comments and remarks that are off point. In order to post comments, you must be a registered user of MiamiHerald.com. Your username will show along with the comments you post. Thank you for taking the time to offer your thoughts.





















My Yahoo
@Nyx.replyAnswerText@