FICTION
Review | In 'Shanghai Girls,' sisters live the beautiful life -- until their downfall
Tragedy changes the lives of two carefree models in Shanghai.
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IF YOU GO
Lisa See appears at 8 p.m. Monday at Books & Books, 265 Aragon Ave., Coral Gables. Free. 305-442-4408.BY AMY CANFIELD
SHANGHAI GIRLS. Lisa See. Random. 314 pages. $25.
Lisa See excels at drawing her readers into the rich history of China and providing her narrators with voices so unique that readers truly know and care about these women within a few pages, if not paragraphs. As in Snow Flower and the Secret Fan and Peony in Love, she has in her latest novel created ordinary women who, through willfulness and resiliency, accomplish extraordinary things.
Shanghai Girls is a graceful, meticulous examination of the lives of two irrepressible sisters, Pearl and May, first in Shanghai, and then in California, from 1937-57. As the story opens, 21-year-old Pearl, the narrator, and 18-year-old May, best friends but still sorting through some sibling rivalry, are as free as can be. They work as artists' models or ''beautiful girls,'' the title given to the lovelies whose painted images grace advertisements and calendars, symbolizing the modernity and progressiveness of Shanghai, then known as ``the Paris of the Asia.''
Pearl and May live with their parents, a traditional businessman father and a mother with bound feet. They sass and disobey him and disdain their mother's subservience. Modernized, the sisters ''follow the religion of ch'ung yang: worshipping all things foreign, from the Westernization of our names to the love of movies, bacon, and cheese.'' They wildly spend money on clothes and cosmetic luxuries, expenses that are all part of being a ``beautiful girl.''
While haughty and smug, Pearl and Meg are, through See's splendid depiction, sympathetic and fascinating characters. They party until dawn at glitzy clubs where they drink champagne and mingle with the right people. Talk of political turmoil is prevalent, but while ''[t]he rest of the country is big and backward -- nothing can reach Shanghai,'' Pearl believes. They ignore the city's large pockets of poverty; on their way to a sitting, they ''cross the street, step around a dead baby left on the sidewalk'' and think nothing of it.
Then their lives change. Their father loses his money, and to pay his gambling debts, he sells the sisters in arranged marriages to Chinese brothers in Los Angeles. Meanwhile, the Japanese bomb their beloved Shanghai.
Tragedy upon heart-wrenching tragedy ensues, along with deception, as Pearl and May eventually make their way to the United States, where racism against the Chinese is rampant. The sisters' glamorous lives have given way to menial work in their father-in-law's shabby businesses in China City, a cheap tourist attraction, and their longing for home is palpable.
See goes into much detail about the lives of the Chinese in Los Angeles in the '40s and '50s, and the sisters' story becomes inundated with historical context. Although the reader does learn a lot -- about Communist witch hunts in the Chinese community in L.A., illegal citizenship, the lure of Hollywood -- the story does slow from its previous enchanted flow. Still, the stories of Pearl and May, their bond, their tensions and their stifled aspirations, pull the reader along.
''You can be freed from one thing but that only puts you in a tight spot somewhere else,'' says their mother-in-law. She's right. But ever hopeful and resilient, Pearl and May do their best and emerge stronger for it. And See, whose writing is as graceful as these ''beautiful girls,'' pulls off another exceptional novel.
Amy Canfield is a writer in Portland, Maine.
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