Miami Dade College’s Museum of Art + Design Presents the inaugural Exhibition at the new Cultural Legacy Gallery, Cuba Out of Cuba: Through the Lens of Alexis Rodriguez-Duarte in Collaboration with Tico Torres MOAD - Cuban Diaspora Celia L Credit: Alexis Rodriguez-Duarte in collaboration with Tico Torres Miami, July 28, 2014 - The Museum of Art + Design (MOAD) at Miami Dade College (MDC) presents Cuba Out of Cuba: Through the Lens of Alexis Rodriguez-Duarte in Collaboration with Tico Torres. The inaugural exhibition will open to the public at 6 p.m. Friday, September 19, at the new Cultural Legacy Gallery, a permanent space dedicated to the impact of Cuban culture on South Florida and throughout the world, housed at the National Historic Landmark Freedom Tower at Miami Dade College in Downtown Miami. Cuba Out of Cuba: Through the lens of Alexis Rodriguez-Duarte in collaboration with Tico Torres features what have become iconic photographs of Cuban figures living outside the island, among them performers, composers, designers, writers and artists. The Cuba Out of Cuba series was shot over the last twenty years in Miami, New York, London, Paris, Florence, Venice and Los Angeles. The exhibition will take a unique and historical approach in surveying the legacies of individuals such as Celia Cruz, Bebo Valdez, Gloria Estefan, Cristina Saralegui, Andy Garcia, Cundo Bermudez, Nilo Cruz, and Paquito d’Rivera, among other Cubans who have influenced the greater culture of their time. Alexis Rodríguez-Duarte was born in Havana, Cuba. In 1968 he and his parents were among Cuban exiles who left the Island aboard the humanitarian air lifts called the Freedom Flights. Once arriving to Miami, his family and many thousands of other Cuban exiles came through the doors of the Freedom Tower that served as a processing and assistance center for the exile community. For many, the tower provided nothing less than their freedom from Castro and the hardships Cuba had come to give them, rightly earning its name of the Freedom Tower. Rodriguez–Duarte’s family settled in Miami’s Little Havana community. At the age of 10, he was given his first camera by his grandfather, which led to his love affair with photography. Today, he is a New York and Miami-based internationally renowned photographer whose work has appeared in The New Yorker, Vanity Fair, Town & Country, and Harper’s Bazaar, among other major publications, and has exhibited his work at the Smithsonian Institution in Washington D.C., Museum of the City of New York, The Victoria and Albert Museum in London and The Bass Museum of Art in Miami Beach among others. Rodriguez-Duarte and his husband of 31 years, Tico Torres, have been documenting the Cuban diaspora since 1993. Torres, a photo stylist who is a master of the mise-en-scene, helped create with Rodriguez-Duarte the joyous image of Celia Cruz standing amid the towering palms of Fairchild Tropical Garden in a traditional ruffled Cuban gown. He was also there to set the mood in the London flat of Guillermo Cabrera Infante, one of Cuba’s most famous authors. Torres and his family were also among Cuban exiles who settled in Miami’s Hialeah community. Rodriguez-Duarte and Torres are thrilled to be returning together, full circle to the historic Freedom Tower for this inaugural exhibit, after separately setting foot there as immigrant children so many years before. The inaugural exhibition kicks off the Museum’s fall season scheduled for Friday, September 19, 2014 from 6 p.m. until 9 p.m. in conjunction with SIDE BY SIDE: MDCULTURE STANDS AS ONE, a one night event held at the College’s historic Freedom Tower, featuring performances, exhibitions, film screenings, the public unveiling of 2014 Book Fair Poster, and the long awaited Cuban Exile Experience at the Freedom Tower. Cuba Out of Cuba: Through the Lens of Alexis Rodriguez-Duarte in Collaboration with Tico Torres will remain on display at the museum through August 30, 2015. All exhibitions are free and open to the public. MDC’s Freedom Tower was operated by the U.S. Government as a reception center for Cuban refugees from 1962 to 1974. “The building is significant because it represents the important story of the Cuban exodus to America and resettlement during the Cold War,” reports the U.S. Department of the Interior, which has also called the Freedom Tower the “Ellis Island of the South.” Though it operated in that capacity for only 12 years, the building has become an icon representing the faith that democracy brought to troubled lives, the generosity of the American people and a hopeful beginning that assured thousands a new life in a new land. WHAT: Cuba Out of Cuba: Through the Lens of Alexis Rodriguez-Duarte in Collaboration with Tico Torres WHEN: Friday, September 19 –Opening Reception from 6 – 9 p.m. September 19, 2014 – August 30, 2015 Museum Hours: Wednesday – Sunday, noon to 5 p.m. WHERE: MDC Museum of Art + Design Cultural Legacy Gallery The Freedom Tower at MDC, First Floor 600 Biscayne Blvd. About MDC Museum of Art + Design MDC Museum of Art + Design (MOAD) is Miami Dade College’s flagship institution dedicated to the presentation and exhibition of visual art and design, housed at the National Historic Landmark Freedom Tower at Miami Dade College in Downtown Miami. The mission of the Museum is to promote the appreciation and understanding of art and its role in society through direct engagement with original works of art from within the College’s extensive permanent collection and temporary exhibitions. Furthermore, the Museum presents year-round lectures, symposiums and art related events to expose, educate and engage the greater public through related creative processes. The MDC Museum of Art + Design provides its patrons and visitors access to unique cultural, historical and educational exhibitions that enrich the greater community while building and preserving an expansive permanent art collection. Miami Dade College has been collecting art since the 1960s. Over the years, the collection has grown contain more than 1,600 works in all mediums and genres, specifically within the movements of minimalism, pop art of the ’60s and ’70s, conceptual art and contemporary Latin American art. The College and Museum actively acquire works by emerging and under-recognized artists, as well as major figures in modern, post-modern and contemporary art. About The Cuban Exile Experience & Cultural Legacy Gallery The Cuban Exile Experience & Cultural Legacy Gallery is a historical division of the MDC Museum of Art + Design. In addition to visual arts, the Museum supports exhibitions and programs that collect, preserve, research and interpret stories and artifacts that help build a better community understanding and appreciation of the Freedom Tower’s history. For more information about the exhibition, events or VIP Opening Reception at MDC Museum of Art + Design, please contact the Museum at 305-237-7722 or museum@mdc.edu. Event contacts: Juan Mendieta, 305-237-7611, jmendiet@mdc.edu, MDC communications director Tere Estorino Florin, 305-237-3949, testorin@mdc.edu, MDC media relations director Roxana Romero, 305-237-3366, rromero3@mdc.edu, media specialist Sue Arrowsmith, 305-237-3710, sue.arrowsmith@mdc.edu, media specialist Alejandro Rios, 305-237-7482, arios1@mdc.edu

Fernando P Hernandez Lorenzo

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Hermanos,

En los ultimos dos años (2011-2013) he escrito dos libros sobre la inmigracion cubana a Estados Unidos; el primer libro fue The Cubans Our Legacy in the United States y en Julio 2013 se ...

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Estimado Sr.Medirijo a Vd. desde España.Trato de buscar a JOSE L.SANCHEZ CAMPINS.Com se que esta muy documentado sobre la emigración de niños en la operación PETER PAN, si fuera tan amablese lo agradecería.Com vera soy pariente de este Sr. y no sabemos nada de el.Estudio en el colegio Holguin 1956 y llego a Florida en 1961 creo.Mandeme por favor lo que sepa de el.Mi nombre Jose Mª Redondo sanches .campins.Medico.c/Manuel Benítez nº 2. 14005 Cordoba.ESPAÑA. Saludos

Message by jose redondo | Oct 16th 2013

Estimado Fernan: I'm taking the liberty of reproducing here a very moving excerpt from your book The Cubans Our Footprints Across America. I am sure that most of our Pedro Pan brothers and sisters will delight reading it. I hope you don't mind. Keep up the GOOD WORK and may God bless you and your loved ones. BOOK EXCERPT: “July 8th, 1962 was the day I left Cuba, my parents, other family members, friends, and all the memories that a nine year old boy had experienced. On that fateful day my life was changed, transformed, I was never to be the same again. It was to be also one of the saddest days of my young life as I waved goodbye to my mami. My brother and I were among 14,068 young children who left Cuba via Operation Pedro Pan, a clandestine operation from 1960-1962 that brought youngsters from 5 to 17 years of age to the United States by themselves. I am sure the communist authorities knew perfectly well that thousands of Cuba’s youngest citizens were leaving, but I believe they did nothing to abort the operation. Family separation was one of the many tactics the regime enacted, and having heart-broken parents in the island assured them of fewer political troublemakers and contrarevolucionarios. When we left from our hometown of Banes, in the Oriente province (now called Holguin), only mami accompanied us to La Habana. You may wonder, where was your father? He was too despondent, emotionally wrecked to muster the courage to bid us goodbye. He never came to see us, as my brother, mother and I got on a bus for a long ride to the capital. Papi stayed behind, comforted by our abuela and other family members. Sometimes we don’t fully grasp or comprehend the suffering that so many of our parents endured when we left our homeland. The other day a man who knew my dad told me he never met a man who shed so many tears for his children as my papi had. Our separation was close to four years, did he have any tears left? Mami showed me what unconditional love is as we spent a few days in La Habana, a city we had never visited. She took us to the zoo and went sightseeing while we waited for the departure day. She never cried or displayed any emotional weakness during the ordeal, I can still see her permanent smile and her encouraging words to my brother 11, and I. All that she knew was that we were going to a boys’ camp in Miami and then we would be relocated to either a foster home or an orphanage somewhere in the United States. My parent’s main concern was that we would live in a democratic society and that they would join us in the near future. Her anxiety, anguish, and motherly instinct of being close to us did not cloud her judgment and she proceeded to send us to the promise land. Her pain was secondary; she knew this difficult decision had to be made for our benefit. The day finally arrived. We were placed in the pecera, a large room in the airport enclosed with glass that resembled a fish bowl. We were the fish and those on the outside looked at us as if we were in an aquarium. Mami reminded us to behave well and to take care of one another. But I do not recall mami kissing or hugging us one last time. She walked out of the pecera firm, stoic, and walked to the upper level to see the plane depart. My brother and I, along with the rest of the people waiting, were notified to board the flight. As I took a seat in what was my first flight, I glimpsed out the window and saw my mami frantically waving a white handkerchief toward the plane. Then I saw her embrace another woman (perhaps another Pedro Pan mom?) and began to see her collapse in a torrent of tears. Even after 51 long years, I have to dry my eyes as I write this. I cannot forget, and I don’t ever want to forget, that moment when a mother’s heart could not be contained. Mami waited to the very last, possible second to unleash what her heart felt, she could no longer conceal her parental anguish. She thought I could not see her from the plane but my eyes were fixed on my precious mom who gave everything she had for my brother and I. As I watched helplessly, the mother I loved was baring her soul and spirit in a continuous cry. What a great blessing to have Maria Elisa Lorenzo Gonzalez as my mami! Thanks to mami and papi I had an opportunity to live as a free man. May my parents reside in a special place in heaven, a palace reserved for all the loving and courageous Cuban parents who sacrificed all so that we could live in an open, free, and democratic society.” by: Fernando “Fernan” Hernandez Author: The Cubans Our Footprints Across America (July 2013) Amazon.com.

Message by Jose Antonio Amaro Reyes | Oct 14th 2013

Fernan, llámame si deseas que te ayude a montar más fotos. Me alegro te gustó mi historia.

Message by Eloísa Echazábal | Oct 14th 2013

Fernando, I love your photos and story. I enjoyed attending the launching of your latest book. And now the Miami Book Fair, I hope!!!

Message by Eloísa Echazábal | Oct 13th 2013

Fernando P has updated their profile.

Status update | Oct 13th 2013

Fernando P says: Hermanos/as: Por este medio les anuncio que mi libro The Cubans Our Footprints Across America esta disponible en Amazon.com. Dedico un capitulo a exit

Status update | Oct 13th 2013

Fernando P has uploaded new photos.

Status update | Oct 13th 2013

Fernando P says: Mil gracias Jose Antonio por tus palabras sobre el premio que recibo hoy en Houston sobre mi libro The Cubans Our Footprints Across America.

Status update | Oct 6th 2013

¡Felicidades, Fernan! Ferna was just chosen National Award Recipient of the XI Hispanic Book Festival that will take place today, October 6, 2013, in Houston, Texas. Fernan is one more Pedro Pan who makes us proud with his accomplishments and contributions. He is testimony of our resiliency and the opportunities this great land has afforded us since our arrival. There's no better way to discredit the detractors of Operation Pedro Pan than with our accomplishments. Thank you, Fernan!

Message by Jose Antonio Amaro Reyes | Oct 6th 2013

Fernando os pido disculpa, po el mensage anterior iba dirigido a MaJosefa Enriquez Yebra, bye now un abrazo "El Frances"

Message by Eddie Enrique Fernandez Tramezaygues | Dec 30th 2009

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