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Knight Arts

• A chat with La sonnambula’s Rachele Gilmore

  By Alejandra “Alex” Serna, Florida Grand Opera

  One of the rarely performed and most beautiful examples of the bel canto genre return to Miami this coming weekend with the opening of Bellini’s La sonnambula on Saturday, February 9, at the Adrienne Arsht Center for the Performing Arts. Florida Grand Opera [...]

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• Welcome Wynwood Ways

  By Miami Biennale Team

  Residents and visitors of Wynwood can now enjoy the neighborhood’s first permanent artistic crosswalk, marked by a work that seeks to transform the intersection of Northwest Second Avenue and 25th Street. The effort is part of the Miami Biennale and WADA’s ‘Wynwood Ways’, a collaboration to make the [...]

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• Making the right choices: Dare to uncage John Cage and Caged you’ll be

  By Sebastian Spreng, Visual Artist and Classical Music Writer

  “I think our aim should be to have more and more access to the enjoyment of life” said John Cage (1912-1992) one of the most remarkable and controversial artists of the second half of the 20th century, who would have turned 100 [...]

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• Moreno and Oroza explore urban creation

  Some of what Gean Moreno and Ernesto Oroza are trying to get at in their collaborative works are a little hard to comprehend, but usually they are interesting and intellectually challenging contemporary explorations. This should hold true for “Drywood,” opening up at Wynwood’s Alejandra von Hartz Gallery on Thursday.

  Like some of their [...]

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• Just “One More Day” at Napoleon

  At Napoleon throughout February, two artists explore the earthly as well as the otherworldly through a variety of media for the show “One More Day.” Napoleon member Tamsen Wojtanowski and artist Christina Roth share the space in an exhibit that is at once grounded and lofty; mystical but [...]

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• Ivonne Batanero: Here & Now

  Ivonne Batanero grew up a shy girl in a cruel world where dance became here preferred mode of communication. Through dance, Batanero reveals the world of extremes by pushing the limits of human comprehension and tolerance. She uses humor and fear to simultaneously connect and provoke the audience to see [...]

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