ENTERTAINMENT
Dancer soars after life on Haiti's streets
A performer who started out as an orphan dancing for pennies in Haiti is one of four South Floridians vying on a TV dance competition.
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A performer who started out as an orphan dancing for pennies in Haiti is one of four South Floridians vying on a TV dance competition.
Both were born in Cuba on Oct. 9 -- Bebo Valdés in 1918, and his son Chucho Valdés in 1941. Both are extraordinary, renowned jazz pianists who have played major roles in developing their island's rich musical traditions. Chucho learned to play from his father, starting at age 3 when he began to pick out the music Bebo -- a bandleader and arranger who was one of the architects of Cuba's golden age of music in the 1940s and '50s -- played at home.
Fuerza Bruta may mean Brute Force. But the show that opened at the Adrienne Arsht Center for the Performing Arts on Thursday night is more surreal wonderland than bruising attack, a fabulously disorienting trip to a watery world where life rushes at you from all sides.
Singer Willy Chirino celebrated 40 years in music at the American Airlines Arena Saturday night in a concert that was as much a salute to Miami's exile community (and, by virtue of its many guests, the Cuban music community outside the island) and its passions as it was to his own career.
Call it theater of the surreal -- made spectacularly and disorientingly real: Women romping overhead in a pool of water. A man on a treadmill, crashing through walls and rooms as if the world were rushing past him. People dancing in tiny rooms until their flying limbs shatter the walls.
The Miami production of Fuerza Bruta will stretch the Arsht Center's production skills and the show's concept of enveloping audiences in a mind-bending environment. Instead of starting and ending the fun with Fuerza, the center hopes to further entice audiences with an art-filled entry and in-house nightclub.
Celia Cruz may live on in the hearts of fans and music lovers, forever beloved for her spirit, her voice, and as a symbol of the vitality and possibilities of Cuban exile.
Matisyahu kicked off his U.S. tour at Pompano Beach Amphitheater Saturday night venturing, not always compellingly, into new musical territory, mixed with the reggae-dub style rap that the devout Jewish artist has become known for. Matisyahu's intensity in performance, and the way he addresses profound themes were impressive; musically, he sometimes left something to be desired.
Matisyahu, the devout Jewish rapper, is making the kind of journey he makes all the time between his music and his religion. On this recent Friday afternoon, that consists of walking through Manhattan from a voice lesson to prepare for Shabbat, the Jewish holy day of rest. For Matisyahu, this particular passage is simply another step in his dual spiritual and musical odyssey.
Rachel Goodrich wrote her first song when she was 12. Nothing was going right for her at Nautilus Middle School in Miami Beach, and the music just came out.
It's no small accomplishment to make a sea of 16,000 people feel like an intimate audience in a small club, but that's what Chris Martin and Coldplay did at West Palm Beach's Cruzan Amphitheatre on Friday night. Joking, charming and leading blissful singalongs, Martin and company made the opening night of their U.S. tour into a celebration of the feel-good power of pop music.
Despite being the adored, much analyzed and fantasized about lead singer of one of the planet's biggest rock bands, Chris Martin of Coldplay is practical, even humble about his role. Sitting on the floor of a rented house in Los Angeles, enjoying the California sunshine and the taste of the strawberry he's just finished, Martin is deliberately and charmingly low-key.
You could call Cirque Dreams Jungle Fantasy the first psychedelic family circus. This visually and physically extravagant show, running at the Adrienne Arsht Center for the Performing Arts through Sunday, is barely an inch deep, with no story to speak of. But in its opening night performance Tuesday, Cirque Dreams proved to be sumptuously inventive entertainment, a fantasy world of glittery acrobatic creatures with a disarmingly hokey exuberance.
Known for his innovative steps and body movements, Pedro Aguilar came to fame on the dance floor at New York's Palladium nightclub in the 1950s. He died Tuesday.
Call it a tempest in a bikini top. When Olaf Breuning's sand sculpture of a reclining woman was first proposed for Art Basel's Art Projects series in September, Miami Beach officials were so concerned by the depiction of her ample and amply revealed upper body that they asked that she be covered up. With a bikini top.