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The other Diego: Following in the footsteps of a Mexican master

IF YOU GO

What: Diego Rosales Works

Where: Instituto Cultural de Mexico en Miami (Mexican Cultural Center in Miami), 5975 SW 72nd St. (Sunset Drive), Suite 101, South Miami.

When: 9 a.m. to 1 p.m. Monday to Friday until July 30.

Cost: Free.

Info: 786-268-4910, www.mexicomiami.org or www.diegorosalesew museum.com.

fsantiago@MiamiHerald.com

Rosales says he remembers that Rivera often worked for 36 hours straight, making it difficult for his assistants to keep up. He worked so intensely, Rosales says, that he forgot to eat but prodded his helpers to ``Go. Go, and have some food yourselves.''

''By the time he came to eat, there was no food left,'' Rosales says.

Once, Rosales says, he and other assistants got carried away with applying a coat of paint to Rivera's sketch of a mural, and when Rivera saw it, 'he approached us waving his cane and scolded us: `Remember, the mural is mine!' ''

He made them erase everything and start again.

Following in the footsteps of an icon is hard, and Rosales says that for most of his life he has been trying to develop his style.

''I wanted to separate myself from his influence and do more around country themes, local works, instead of the national murals for which Rivera is known,'' says Rosales, whose mural Los precursores de la revolución técnica (The Precursors to the Technological Revolution) is installed in a government building in the port city of Lázaro Cárdenas, Michoacán.

Fourteen pieces by Rosales, including two murals, are on display through July 30 in South Miami. Also shown is a sketch Rosales drew for La puerta de Latinoamerica (The Door to Latin America), a mural he dreams of creating in Miami with the help of young artists.

Standing before two murals -- one a rendering of a typical fiesta pueblerina, a township celebration, and the other a portrait of Emiliano Zapata, a leading figure in the Mexican Revolution -- Rosales is delighted to be reunited with his work.

His murals feature cockfights, fireworks and a theme he calls his ``tribute to the countryman's working tools -- the pick, the machete and the shovel.''

He created the murals in 1954 for a restaurant.

''I can't remember the last time I saw these. They left me so long ago,'' he says. ``After half a century, one forgets.''

Asked which of his pieces he loves most, Rosales offers a piquant smile.

''It's all or none,'' he says. ``It's like asking me which woman I have loved the most. Well, it depends.''

And like his famous mentor, Rosales has loved many, many women. ''Ten children carry my last name,'' he says. ``I have been married four times, but I'm currently single, if you want to know.''

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