On the shelves

Jerry Bruckheimer starts a new chapter with a book


After more than two decades with Disney, where he produced the juggernaut Pirates of the Caribbean and National Treasure film franchises among many box-office hits, Jerry Bruckheimer just began a new partnership with Paramount. At Disney’s behest, he closed the previous chapter with a photo book as outsized as some of his productions: Jerry Bruckheimer: When Lightning Strikes — Four Decades of Filmmaking is a 10-pound, 300-page chronicle of his career in pictures. Johnny Depp wrote the foreword.

“[It’s] a coffee-table book to celebrate the movies that I’ve made, my time at Disney and my time in the business, basically,” Bruckheimer told The Associated Press in a recent interview at his office in Santa Monica.

A small, fit man who looks at least a decade younger than his 70 years, the veteran producer is gracious but measured. His voice and manner are quiet and firm. Once in a while, an eye-crinkling smile spreads across his face.

Bruckheimer insists things won’t change much as he begins his three-year stint with Paramount. He'll still be making movies.

“Great storytelling is great storytelling,” he says.

He anticipates digging into edgier, potentially R-rated fare that wouldn’t have fit into Disney’s family-oriented slate. He plans to produce sequels to his original Paramount hits Beverly Hills Cop and Top Gun, and says he hopes Eddie Murphy and Tom Cruise will reprise their starring roles. Another story on his mind? That of the U.S. Special Forces team that landed in Afghanistan after 9/11. He already holds the rights to a book on the period.

“Hopefully with the success of [the Mark Wahlberg film] Lone Survivor, we can get that jump-started,” Bruckheimer says.

He continues his work in television, too, where he’s found groundbreaking success with several CSI series and The Amazing Race, which has won 14 Emmy Awards. He has two new shows actively in the works: A family drama called Home for Fox and another CSI spinoff for CBS, this one centered on a cyber-psychologist and high-tech crime.

However, despite decades of success in entertainment, Bruckheimer says he’s no closer to predicting audience taste than he was at the outset of his career.

“I don’t know what the audience will connect with. … I just know what I like,” he says. “I don’t think anybody knows what an audience will connect with. If they tell you they do, they’re lying.”

He makes movies he wants to see. And he still believes in his last film for Disney, the mega-million-dollar flop, The Lone Ranger.

“Nobody wants to get up in the morning and fail,” he says. “You always feel bad when a picture doesn’t work. I still love the movie.”

Depp says the film was inspired by concept art of his character. He recalls showing Bruckheimer images of a noble savage with a dead bird on his head, and remembers the producer said, “Let’s do it!”

“What is so uniquely special for me, aside from taking such a giant leap of faith on the crazed fruit of my inner ravings, is that Jerry is the only guy I know who could make such a movie,” Depp says, describing Bruckheimer as “a dear friend and confidant.”

Disney reportedly took a loss of more than $160 million on the project. But Bruckheimer has moved on. Bruckheimer Films has 40 projects cooking at any one time; the TV division has at least 10 scripts in development.

“I’m not the kind of person who looks back,” Bruckheimer says. “I only look back for the mistakes I’ve made to correct them. I always try to look forward.”

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