Cedar Mesa

In forgotten Utah, the thrill of discovery

 

Going to Cedar Mesa

Getting there: The Bureau of Land Management’s Kane Gulch Ranger Station, the northern gateway to Cedar Mesa, is a 125-mile drive south of Moab, Utah. Air travel from Miami or Fort Lauderdale to Moab involves at least three flights.

Information: www.blm.gov/ut

WHERE TO STAY

Camping: Ranger Station, Highway 261, about four miles south of Highway 95; 435-587-1500; www.blm.gov/ut. Dispersed roadside camping is allowed without a permit on Cedar Mesa. Backcountry camping requires a permit, which you can get from the Kane Gulch Ranger Station for $8 per person per trip.

Desert Rose Inn, 701 Main St., Bluff; 888-475-7673; www.desertroseinn.com. Rooms in this timber lodge have log furniture and private porches. Rates from $119.

Stone Lizard Lodging, 88 West Center, Blanding; 435-678-3323; www.stonelizardlodging.com. Most of these recently remodeled rooms have a fridge and microwave. Rates from $59.

WHERE TO EAT

Twin Rocks Cafe, 913 E. Navajo Twins Drive, Bluff; 435-672-2341; www.twinrockscafe.com. A diner serving soups, salads, burgers and Navajo tacos. Entrees start at $9.

Peace Tree Juice Cafe, 516 N. Main, Monticello; 435-587-5063; www.peacetreecafe.com. Serves healthful salads, sandwiches and smoothies. Entrees start at $8.

WHAT TO DO

Far Out Expeditions, Seventh and Mulberry, Bluff; 435-672-2294; faroutexpeditions.net. Guide Vaughn Hadenfeldt leads hikers to remote ruins, artifacts and geological formations on Cedar Mesa. Day hiking trips start at $165 per person for five or more people, and overnight backcountry trips start at $200 per person per day for four or more.


Washington Post News Service

As we walked down the wash, ragged collections of cliffs and boulders reared up on both sides. Just as the wash took an abrupt left and tumbled down a steep sandstone cliff, we spotted a high, shaded south-facing alcove — prime real estate for an ancient Puebloan. We veered off-trail.

We clambered up boulders, gripping small nubs in the sandstone, and hopscotched around fields of pristine cryptobiotic soil, which, crusted with delicate cyanobacteria, lichens and mosses, prevents erosion and slows evaporation. (One human step destroys it, and it can take decades to regenerate.) After scurrying up the last rows of sandstone ledges, we arrived at the ledge to find . . . nothing. The dwellings we thought we’d seen were eroding clumps of mud.

“Good thing we’re patient,” said Amanda.

“Good thing we have a sense of humor,” added Ryan, dropping her pack. Behind us, the canyon spread out in an array of pleasing earth tones — muted green, red, beige, the unshakable blue of the sky. Protected by the rocks and out of the wind, we contemplated the view, the windless warmth and the luxury of having nowhere to be but here.

Motivated by the promise of unseen ruins, we decided to explore the rocky bench in case others lay hidden along it. After skirting around boulders that had dislodged from the cliffs and ducking under shrubs, we found a faint path that led to a wide stage of slickrock. Amanda gasped.

Just feet from where we stood, a wall of stones rose from a rocky ledge: the unmistakable work of human hands and minds. We approached slowly, so as not to disturb the animals — or perhaps the spirits — that lived there. Half a dozen stone-and-mortar structures stood in various states of preservation beneath the cliff. Mud plaster clung to the walls, and the black of long-cold fires scarred the wooden roof beams. Beneath our feet, potsherds cluttered the sand. We squatted and carefully sifted through the earth, as fine as flour.

“What do you think this is?” Ryan said, dusting off a cylindrical chunk of pottery the size of a Snickers bar.

“Check this out,” I said, holding up a potsherd painted with a grid and stripes. We were like enthralled children, intent on our discoveries. I wondered what kind of life belonged to the hand that had painted these designs, whether out of devotion or boredom, I’m not sure. Certainly, other visitors had been here, but there was remarkably little evidence of them. The hikers who discover this site seem to share an unspoken respect for its sacredness, leaving its potsherds where they found them for future travelers. I sifted through the sand, finding charcoal from old fires and tiny eaten corncobs. It felt as if I were standing among ghosts.

The ancient Puebloans who lived here between 700 and 2,000 years ago were, of course, real people. Archaeologists believe that they lived in small, dispersed clans, that they grew beans, corn and squash, built stone tools and wove yucca into sandals and string. They mostly left this area in the 13th century, probably chased away by a drought. But without written records, no one knows for sure. The details of their lives remain deliciously ripe for conjecture.

We followed the canyon as it dove farther into layers of wind-smoothed sandstone. Occasionally we spotted cairns, but otherwise we charted our own routes over and under boulders, through thickets of tamarisk and along the sides of cliffs. The quiet of the desert heightens my senses, and I started to notice things: icicles growing like seedlings from seeps in the rock, the mint color of the buffalo bushes, the sound of the wind scouring slickrock, and the tracks of mice and lizards.

Read more Travel stories from the Miami Herald

  •  

Paul valley on Santo Antao island in Cape Verde is known for its potent grogue, a locally distilled sugarcane spirit, and its dreamy landscapes.

    Island ballads

    Cape Verde has a captivating rhythm

    “You’ve arrived a day late,” said Khyra, the local singer we befriended outside a bar on our first night in Cape Verde. “Yesterday was the big night here in Praia.”

  •  

A letter written by Samuel Johnson and a copy of the dictionary he wrote are displayed beneath a stained glass plaque at Dr. Johnson’s House, a small  museum in the 300-year-old townhouse where he lived in London.

    England

    Literary London: by the book

    Walking toward the George Inn on a drizzly evening, yellow light from its bustling Parliament Bar spilling out on wet cobblestones, it’s easy to imagine the ghostly footsteps of the past.

  •  

Artist Faith Ringgold talks about her artwork in front of her painting, "Die (1967)," at the National Museum of Women in the Arts in Washington.

    Showtime: Washington

    Faith Ringgold’s controversial art at D.C. museum

    Wearing gold-sequined Uggs, a bright smile and flawless brown skin that belies her 82 years, Faith Ringgold explains her “confrontational art” — vivid paintings whose themes of race, gender, class and civil rights were so intense that for years, no one would buy them.

Miami Herald

Join the
Discussion

The Miami Herald is pleased to provide this opportunity to share information, experiences and observations about what's in the news. Some of the comments may be reprinted elsewhere on the site or in the newspaper. We encourage lively, open debate on the issues of the day, and ask that you refrain from profanity, hate speech, personal comments and remarks that are off point. Thank you for taking the time to offer your thoughts.

The Miami Herald uses Facebook's commenting system. You need to log in with a Facebook account in order to comment. If you have questions about commenting with your Facebook account, click here.

Have a news tip? You can send it anonymously. Click here to send us your tip - or - consider joining the Public Insight Network and become a source for The Miami Herald and el Nuevo Herald.

Hide Comments

This affects comments on all stories.

Cancel OK

  • Videos



  • Quick Job Search

Enter Keyword(s) Enter City Select a State Select a Category