Judging only from the program, one would have expected the most conventional part of Lara St. John’s violin recital to be the opening work, César Franck’s well-known Sonata for Violin and Piano.
But her take on the piece was so bizarre that it set the stage for a highly unusual concert Sunday at the University of Miami’s Gusman Hall.
Read the review at SouthFloridaClassicalReview.com.




















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