Entertainment

WEST PALM BEACH

Studio 54 memorabilia goes for big bucks at auction

 

Hundreds of very rich bidders drive up the price of nostalgia at Saturday’s auction of Studio 54 memorabilia.

 

Potential bidders scrutinize their programs beneath a Fontana Arte Italian chandelier, which was also up for bid, at an auction of memorabilia from Studio 54 in West Palm Beach. The auction -- Steve Rubell: Studio 54 Memorabilia, 1970s & Important Modern -- featured more than 400 items, including stylized furniture, disco album compilations and Andy Warhol watercolors. It was open to the public.
Potential bidders scrutinize their programs beneath a Fontana Arte Italian chandelier, which was also up for bid, at an auction of memorabilia from Studio 54 in West Palm Beach. The auction -- Steve Rubell: Studio 54 Memorabilia, 1970s & Important Modern -- featured more than 400 items, including stylized furniture, disco album compilations and Andy Warhol watercolors. It was open to the public.
MARSHA HALPER / Miami Herald Staff

ggarvin@MiamiHerald.com

The record albums may have been vinyl and the photos Polaroid, but the prices at Saturday’s auction of memorabilia from the storied 1970s New York disco Studio 54 were strictly the stuff of naughty-oughty hedge funds and real-estate bubbles, as Sal DeFalco learned to his sorrow. DeFalco, who was a bartender at Studio 54 back in the good (or bad — we’ll get to that later) old days, was prepared to spend as much as $400 for a photo of his 19-year-old self partying with Diana Ross back in the day.

“I really, really want it,” he confided minutes before the photo hit the auction block. “The auction booklet says the expected price is between $300 and $600, but I can’t really go beyond $400. I’ve been a bartender my whole life. I’m not a rich man.”

Alas, he was surrounded by people who were. When the $1,000 opening bid for DeFalco’s photo (yeah, some people would refer to it as Ross’s photo, but they aren’t writing this story) was called out, the room was silent except for the sound of a heart cracking in two.

Even auctioneer Rico Baca was moved by DeFalco’s plight. “Don’t you think he should buy it?” Baca beseeched the crowd. But in a battle between Compassion and Cash, you can probably guess who won. An anonymous Internet bidder eventually got the photo for $1,500. This story may eventually have a happy ending, though. DeFalco held onto a lot of his own Studio 54 memorabilia — you can see some of it at the monthly Studio 54 parties at Club Boom in Wilton Manors, where he pours drinks — and he could probably stage his own auction. “My employee jacket alone is worth thousands,” he whispered, slightly in awe of his own clothes.

Inflated prices were the rule of the day at the auction of thousands of items from the estate of former Studio 54 co-owner Steve Rubell. Most of them went for sums well over the price range suggest by Baca’s auction house Modernauctions. A Polaroid of Rubell and disco diva Grace Jones snapped by Andy Warhol? $10,000. An invitation to the club’s 1981 New Years Eve party? $1,500. (To be fair, it came with a complimentary drink ticket.) A collection of six record albums from the Studio 54 deejay booth? $450, which impressed even Baca. “Who has one of those turntables at home?” he wondered aloud.

The prices were driven in part by photographic collectors, beguiled by a Hall of Fame of 1970s glam-trash celebrity snapshots that ran from Cher to Stallone, from Bianca to Belmondo, from Kennedy kids to Capote.

“This is actually pretty inexpensive,” said Tommy Morrison, a 31-year-old Palm Beach collector who spent $7,000 on photos in the first hour just warming up for his real target, a shot of Rubell, Warhol, Brooke Shields and Calvin Klein inside the club. “These are classic images you can’t find anywhere else. It’s a once-in-a-lifetime opportunity.”

How the classic images themselves would feel about Morrison’s plans for them — he’s going to decorate a bathroom with the photos — is debatable. In any event, he landed his prized photo for $1,800, a little bit less than he expected to pay.

But it wasn’t a shutterbug who bought the Studio 54 guestbook (full of lists of which celebrities got in free, which ones had to pay a cover, which ones didn’t get in at all, and other red-hot 1978 gossip) for $6,000. (“Somebody wants to burn this book,” Baca cracked.) Or Rubell’s old phone book (complete with numbers on which to call Jackie Onassis and numerous other dead celebrities) for $6,500..

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