Visual Arts

Art goes out and about

 

Works in streets, storefronts and on walls engage the public

If you go

Bal Harbour

•  The “Americana” sign is at 9703 Collins Ave. “Levittown House” is at Founders Circle in the 9700 block of Collins Avenue. Both are by George Sanchez Calderon. www.balharbourflorida.com/unscriptedartprojects/

Opa-locka

•  The Kings Terrace development at 12555 NW 27th Ave. has several art installations, including “Genesis” by Clayton Swartz.

•  The historic Moorish-style Old City Hall, a centerpiece of Opa-locka’s “Community Gateways” revitalization plan, is at 777 Sharazad Blvd.

Little Haiti

•  Serge Toussaint’s murals are scattered around Little Haiti, but his best — a depiction of Barack Obama — is at the corner of 54th Street and North Miami Avenue.

Design District

RETNA’s mural is on the façade of the new Louis Vuitton store, 170 NE 40th St.

Wynwood

Wynwood Walls, a display of murals by such artists as Kenny Scharf, is on Northwest Second Avenue between 25th and 26th streets.

Downtown Miami

•  The “digital canvas” at the InterContinental Miami is at 100 Chopin Plaza.

•  The Alfred I DuPont building at 169 E. Flagler St. has two public art installations: Michelle Weinberg’s “Shelf Life,” and Justin Long’s “Einstein on the Beach (Metropolitan Interlude)”

Little Havana

“The Good Wall” mural, involving such international artists as Space Invader, is at 982 SW Eighth St.


Special to The Miami Herald

In sync with urban planners, landscape architects, and historic preservationists, four artist teams are at work. Miamians Roberto Behar and Rosario Marquardt, who also have created works for the Design District, have drawn up a public art master plan. Los Angeles-based artists Jennifer Bonner and Christian Stayner, who have exhibited at the Venice Architecture Biennale, are working to transform empty houses into community art centers. And an Oakland, Calif. artist and designer, Walter J. Hood — who has earned a Cooper-Hewitt National Design Award — is retooling Sharazad Boulevard.

Gale Fulton Ross, winner of a Rockefeller Fellowship and based in Sarasota, is creating an epic public sculpture for Opa-locka that will contain a time capsule filled with writings from local residents. The piece, titled One Story, is a 30-foot-tall sculpture of a woman’s head created from steel rods: on the top of the head is a time capsule, set to be opened in 2038. To Fulton Ross, the work is about Opa-locka itself. “I met so many women who were heads of households, nurturers who had good and bad memories of the city, and this piece is a kind of tribute. Art transforms neighborhoods, and one day, Opa-locka might be full of artists’ studios.”

To the south and east, Little Haiti is marked by the wonderful work of muralist Serge Toussaint, who has brought images from Serge Pepsi to Martin Luther King Jr. to various storefronts. His work is absolutely engaging, playful and popping, on storefronts like hyper-realist paintings.

In the Design District, the newest public art is a mural by RETNA, the noted graffiti writer, on the facade of the temporary Louis Vuitton store. The work of RETNA and 39 other muralists, including such nationally recognized artists as Kenny Scharf and Shepard Fairey, is also part of Wynwood Walls, created by the late developer Tony Goldman. Wynwood, of course, has become a national model of how public art can transform a neighborhood, and both Fairey and Scharf are creating tributes to Goldman within Wynwood Walls.

In downtown Miami, the InterContinental Miami has launched two 19-story-tall Digital Canvas installations on the east and west facades of the hotel, LED screens that include lighting and art images. DWNTWN Art Days, a public art program organized by the Miami Downtown Development Authority, has created DWNTWN Art Windows featuring displays in storefront windows.

On Flagler Street at the historic Alfred I. DuPont building, Miami artists Michelle Weinberg and Justin Long have created installations: Long’s piece is Einstein on the Beach (Metropolitan Interlude), a reference to Philip Glass’ famed musical composition. Long, who will be part of pop-up exhibitions in the Design District during Art Basel Miami Beach, envisions his installation as a break from the business world, with a panorama photo of a beach scene that is intended to evoke irony and a sense of escape, given its downtown setting.

On Eighth Street in Little Havana, the Barlington Group has adorned one of its buildings, a Goodwill store, with work by such international street artists as Space Invader. A patchwork mural titled The Good Wall, was created by assorted artists, including Miami-based Brandon Opalka. The work started with a single section created during a previous Art Basel by French muralist Blek Le Rat. “Now we have 45 artists, each doing a three-foot-by-three-foot square of the mural,’’ says Bill Fuller, a partner with Barlington, who sees the work as shifting the mindset of the neighborhood. “It’s an ever-evolving piece, a work of art that Goodwill and Little Havana love.”

Read more Visual Arts stories from the Miami Herald

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Painters of the Cuzco School in Peru, the first indigenous organization of artists in the New World, incorporated distinctive gold stenciling into their paintings that echoes the elegant Andean textiles and metalwork. Exhibition at the FIU-Frost Museum of Art, 2013. Virgin of Sorrows

Cuzco, Peru, 18th century

Oil on canvas

Frost Art Museum, MMAC Collection

    VISUAL ARTS

    The beauty of two traditions: Spanish colonial art goes on display at Miami’s Frost-FIU Museum

    When the Spanish came to the Americas, artistic expressions of the two cultures became entertwined — much like the peoples themselves

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One of two Hosts, or iPads attached to Roomba vacuums that wander the gallery autonomously.

    Design District

    Local artist makes interactive art, on display at Locust Projects in Miami

    At the opening for Miami artist Jillian Mayer’s exhibition “Precipice/PostModem” at Locust Projects in the Design District, visitors were asked to do something that is never asked of them in traditional museums and galleries: Touch and interact with the art. For example, in the piece Swing Space, guests are invited to take a ride on one of four swings hanging from the roof of the gallery while they watch a projection of digitally manipulated cloud imagery in front of them. This came as a pleasant surprise to many of the art patrons who passed through the gallery’s doors, including freelance photographer Tesoro Carolina.

  •  

Construction underway at the Pérez Art  Museum Miami, Friday, Feb. 8, 2013. This view shows the east side of the building facing Biscayne Bay

    Pérez Art Museum Miami

    Miami’s art museum gets anonymous $15 million gift

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Miami Herald

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