Travel

Memories of war

 

The National WWII Museum showcases tales of terror and bravery

National World War II Museum

Where: 945 Magazine St. (entrance at Andrew Higgins Drive), New Orleans.

Hours: 9 a.m.-5 p.m. daily. Closed Mardi Gras Day, Thanksgiving, Christmas Eve and Christmas.

Admission: $21; $18 ages 65-79; $12 (ages 5-12 and 80 and up and students and active or retired military and spouse with ID); free for military in uniform. Show-only and museum-and-show tickets available $5-$23. Parking $6 at adjacent visitor lot on Camp Street.

Information: 504-528-1944, www.nationalww2museum.org

DINING & ENTERTAINMENT

 The main museum building contains a counter-service cafe next to the gift shop with oversized hot dogs, sandwiches and what it bills as “homemade’’ Spam. Unless you’re ravenously hungry and in a hurry, it’s best to save your appetite for the full-scale restaurant in the building across Andrew Higgins Drive that houses the theater for the Tom Hanks’ produced-and-narrated 4-D film, “Beyond All Boundaries’’ (screened 10 a.m.-4 p.m. daily with additional 5 p.m. show on Fridays and Saturdays, tickets range from $5 for kids 4 and under to $14). The restaurant, called The American Sector, has a huge bar flanked by anquettes graced with glamorous black-and-white portraits of wartime USO stars. The gourmet dishes, including things like lobster pot pie, are devised by well known chef John Besh.

A second dining area in this same annex is The Stage Door Canteen with 1940s-style live entertainment and a bountiful, tasty, all-you-can-eat buffet of foods prepared by Besh and his staff. Entertainment can range from a lunchtime revue of popular World War II tunes and patriotic songs by young women impersonating the Andrews Sisters and other USO entertainers of the era to a Sunday buffet brunch and show and Friday and Saturday evening dinner-and show playing through Nov. 24, “Jump Jive and Wail! The Music of Louis Prima.’’ Tickets range from $30 to $60. For information and reservations on the shows, call 504-528-1943 or go to www.stagedoorcanteen.org.

— Sue Mullin


ggarvin@MiamiHerald.com

“In 1990, over way too many drinks in Steve’s backyard, we were talking about how nobody knew what an important role New Orleans had played in D-Day,” Mueller remembers. “And at the same time, Steve was thinking he needed a place to showcase all the oral histories and photos and other mementos he had collected for the book, and I had been assigned a project to open a research park on the lakefront here. And it all came together.

“Steve said, ‘We’ll have to raise a lot of money. It’ll cost $1 million.’ I said, ‘You’re crazy, it’ll be $4 million.’ And just $30 million and 10 years later, we opened the D-Day Museum for business.”

Almost instantly, though, Ambrose and Mueller realized they’d made a mistake. The museum was flooded with visiting World War II vets who loved it but had done their fighting elsewhere beside Normandy and wondered why their stories couldn’t be told. And a couple of them, U.S. Senators Ted Stevens (R-Alaska, who served in the war’s China-Burma-India theater) and Daniel Inouye (D-Hawaii, who lost an arm fighting in Italy), were in a position to help get government money for a broader museum.

The museum has already added a vast, labyrinthine section on the island-hopping war in the Pacific, including a copy of President Roosevelt’s address to Congress the day after the Japanese sneak attack on Pearl Harbor, complete with his handritten corrections: “… a date which will live in world history infamy …”

And the museum is two years from the end of a $300 million expansion that will double the floor space for exhibits and add two more buildings to the existing three. They’ll house major exhibits on the war in Africa, on the Asian mainland and the battle for Berlin, as well as more big-ticket weaponry like tanks, planes and even a submarine in which visitors can take part in a simulated attack on a Japanese convoy. (Several tanks, half-tracks and other armored vehicles already dot the floor of one pavilion, while combat aircraft are suspended from the ceiling.)

The World War II generation, which initially fueled the museum’s popularity, is steadily vanishing; even the era’s teenagers are now in their 80s. But that hasn’t dimmed the museum’s attraction: April, with nearly 45,000 visitors, was its busiest month ever. Mueller doesn’t believe that’s going to change, because World War II isn’t really history: Its effects on American attitudes on race and gender and the political boundaries it redrew are still evolving.

“Every day in the newspaper, you see why World War II is still relevant,” he says. “We’re still trying to deal with people of different cultures and races and religions around the world. The 9/11 attacks brought that to the forefront. The Arab Spring brought it back up — the end of the monarchies in the Middle East is the end of a process that began in 1945. World War II is still with us today, and it’s going to be for a long, long time.”

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