Questions arise about how Haiti earthquake donations have been spent

 
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The Miami Herald

Half the money world governments pledged to Haiti never showed up. Half the money American private donors raised for Haiti hasn’t been spent. And many millions went to things like gasoline, car rentals and salaries.

Two years after the ground shook in Haiti, more than 500,000 people remain on the street, many of them wondering why all that assistance did not lift them out of dire straits. In a nation where the minimum wage is $5 a day, international aid groups say seven-figure donations aimed at rebuilding the health care, housing and school systems were just not enough to alleviate a country mired in poverty.

So while families continue to live in plastic tents, some organizations are running dry and major reconstruction projects are taking years longer than anticipated. Even after the billions were spent and billions more promised, experts say it will be another 10 years of spending before people see serious results.

“The world’s response to the disaster is slowly coming to an end,” said Sam Worthington, who heads InterAction, an umbrella group of major international aid groups. “I look at what’s left to be done and how much money is left — $360 million — there’s no way that much amount of money can address the problems that exist down there.”

A 7.0 earthquake devastated the capital two years ago Thursday, killing 316,000 people and toppling hundreds of buildings. The world rushed to Haiti’s aid, sending money via text message, telethon, debt relief and through foreign ministries.

The International Red Cross alone raised more than $1 billion. Just in the United States, Americans actually donated more than they pledged, and chipped in $1.36 billion. Of that, $725 million was used to keep quake survivors alive, under tents and free from disease, Worthington said. The rest is on long-term planning drawing boards.

“It was about one-tenth of what the Haitian government said it needed,” Worthington said. “There will be wholesale areas and families that will not see results.”

But just as many Haitian survivors suspected, huge amounts of money went toward supporting the relief and recovery operation in intangible ways that were difficult for most Haitians to accept or understand. The lack of an educated civil society meant agencies had to send in experts for everything from accounting to human resources, feeding the perception that aid benefited foreigners as much as it helped Haitians.

The Center for Economic Policy Research think tank found that beltway area for-profit development companies received 83 percent of U.S. Agency for International Development Haiti contracts. About 2.5 percent of the funds went to Haitian companies, and less than half of one percent went to Haitian non-profit groups.

Agencies also burned through money on soaring rents and overpriced supplies. After the quake, landlords charged $7,000 or more to rent a single house and quadrupled the prices of materials.

Consider: Project Medishare, the University of Miami hospital, spends $30,000 a month on electricity alone. It costs another $3,500 a month to rent an SUV in Haiti.

Tax records show Save the Children’s Haiti financial director — one of 1,200 Haiti employees — earns almost $200,000 annually.

Oxfam is among the few groups that spell out how much it spent just on management: $14.4 million. It also spent $150,000 a month trucking water and $30,000 per month on warehouse fees.

Read more Haitian Link stories from the Miami Herald

  • Konpa music as social and political commentary

    Konpa music has been knocked as genre for the simplicity of its rhythm and the way its lyrics are often not sophisticated.With Konpa, it’s always felt that what counts is not how the lyrics can inspire the listeners, but whether or not people can dance to the music. The message was secondary to the music, and the musicians seem to want to walk on safer grounds rather than push the envelop when it comes to lyrics critical of the political environment.The year 1986 imprinted its mark on every aspect of Haiti’s social and political life. People were more inclined to speak their minds and felt freer not to be the spokesperson of the political rulers of the day. Konpa, as a musical genre, also reflected that new sociopolitical period in our life.Throughout the 60’s and 70’s, Tropicana and Septentrional made it their duty to compose songs that were favor of the dictatorship. In one song, Septentrional told us: “Francois, our father, sit as comfortably a possible on the presidential chair; the people love you”.Bossa Combo was always referred as “Jean Claude Duvalier’s musical group”. Generally, if these musicians don’t become Duvalier apologists, their next likely theme is women – or better yet, a smear campaign against women. Here deceased Koupe Kloure had no competition. No voice ever arose to say: Enough.These are new times. One can criticize the political rulers of the day and not feel the brunt of their repression. The ruler can deny you access to the Carnival or pressure the radio stations not to play a particular song, but jail time is out of the question.It’s ironic that Sweet Micky spent his whole career castigating the Lavalas government for their alleged involvement in various cases of corruption. However, the same Micky, now as president of the country, had no problems removing one the critical musicians of his regime from this year’s Carnival for his song, aloral. Credit should be given to the roots musicians – Eddy Francois, Boukmann Eksperyans or RAM – for producing the most patriotic type of music.Richie Herard, ex Zenglen, may now be one of the two best Konpa composers; Dadou Pasquet is the other one. It seems that there is a conscious effort on his part to go against three things that Konpa music has traditionally been guilty of: lyrics that were too simple; a negative social message and an arrangement that hasn’t worked out too well.Richie’s album “Nou kapab jere ti sa”, released about eight years ago, may be one of the best Konpa albums ever produced for the quality of the lyrics and the music. You can dance to the music if that’s what you feel like doing. You can also sit back and listen.I believe this is the greatest change in the Konpa music industry. Today the musicians may not be better musicians, but they are better educated. Pasquet, Richie and Rolls Roro Laine of Djakout Mizik are extremely thoughtful individuals. (Someone should advise Laine to be quiet once in Martelly’s presence; his strident (and crazy) “Martelly avi” comments left too many uncomfortable.) It’s no surprise that Magnum Band and Djakout Mizik may be the best in town.These thoughts came to mind as Konpa lovers from Haiti and the Diaspora converged in Miami last Saturday to dance to the sounds of Konpa.The next great battle lies in our musicians’ ability to make sure that Konpa music has successfully crossed over. It’s not impossible!

  • Sharing my defining moment

    Exhibit A – Less than a year ago I opened the online edition of the daily Le Nouvelliste looking for my usual Haiti fix. This time I was in for a big shock: a vehemently acidic piece where this physician was spewing out his homophobic rant. His argument that gay relationships would result in a lowering of the population misses the point that some heterosexual marriages don’t result in children for whatever reason.Exhibit B – The conversation shifted to Jason Collins, the basketball player who just announced he was gay.A good friend of mine who has spent his life fighting for justice and equal rights was at ease to denounce the LGBTQ community and, in particular, their quest for marriage equality. LGBTQ stands for lesbian, gay, bi-sexual, transgender and questioning.  He may have assumed I was on his side.Exhibit C – At a Prideline meeting, a community-based organization charged to provide social and emotional support to young LGBTQ individuals, I turned suddenly into a witness. I listened to a few young gay and lesbian Haitian-Americans share their story of rejection from their mother or father. Many of these kids are homeless or living with friends just because they were born with the hardware and software steering them toward same-sex relationship. Parents just stop being nurturing parents.Same-sex relationship may be the only issue that Haitians have a consensus on regardless of their ideology, socioeconomic status or religion. I guess the strong religious bent of the Haitian people blinded them to the reality of discrimination and injustice that LGBTQ folks endure each day of their lives.  Folks are born gay or black or white. The same way it’s unreasonable to confer benefits to White folks because of their skin color, it’s also unfair to fault gays or blacks for their sexual preference or the color of their skin or deny them the benefits that are afforded every other member of society. Let’s just say it: it’s very strange that those of us who have faced discrimination because of immigration or social status are now in the business of discriminating against the LGBTQ community.I have evolved on this issue.My defining moment on the issue of homosexuality came about ten or eleven years ago when I picked Edwidge Danticat’s The butterfly’s way, this compilation of essays and poetry written by more than thirty Haitian-American authors narrating their experiences, sharing their stories, raising their voices, breaking their silence and speaking their own brand of truth.Of all the thirty three stories forming this great anthology, Assoto Saint (né Yves Lubin) story stuck with me: his trajectory as a proud gay man growing up in Les Cayes in the 60’s and then in New York starting in the 70’s.Read what Yves had to say about his childhood.“I must have been seven when I realized my attraction to men”. “All I wanted to do with girls was skip rope, put make up on their faces, and comb their hair”. He went on to say that “knowing Pierre was a turning point for me. The loneliness of thinking that I was the only one with homosexual tendencies subsided”.Keep reading with me.Now in New York at the age of 13 or 14, Yves “kept fantasizing that there was a homosexual world out there I knew nothing of. I remember looking up in amazement as we walked beneath the elevated train, then telling mother I didn’t want to go back to Haiti”.Yves talking about himself when he was a child: “straight A’s, ran like a girl, silky eyebrows – I was the kind of child someone saw and thought quick something didn’t click”. A professional dancer, Assoto Saint died of AIDS in 1994 at the age of 37. Proud to be an ally of the LGBTQ community!

  • Fla. woman charged with Haitian visa fraud

    A South Florida woman has been charged with visa fraud after authorities say she falsely promised 143 Haitians and told the federal government there were jobs waiting for them in the U.S.

Miami Herald

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